Showing posts with label Portland Art Museum. Show all posts
Showing posts with label Portland Art Museum. Show all posts

Thursday, May 09, 2013

Portland Art Museum, Members Gospel Brunch, Sunday, April 7, 2013, No. 1Click here for a trip to City Daily Photo, transporting you around the world every day.

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From the card beside my water glass at the table where I decided to sit--right in front of the stage--I know that the man on the saxophone is Renato Caranto, that the man on the Hammond B3 is Louis Pain. I wish I knew the drummer's name, but it's not on the card. I mean no disrespect, but my lack of information bothers me.

Still and all, I like the photo too much not to share it with you. Perhaps someone will see this post and provide us with the man's name. For all three men, their music spoke of their talent and their love of performing. We who attended enjoyed them as we stood in line for the buffet and ate and drank before the program began.

The sold out event had been advertised thusly--"Join us for a one-of-a-kind event in the Kridel Grand Ballroom, featuring amazing live gospel performances and a southern-style buffet brunch. This foot-stomping event will definitely end your weekend on the right note." I jumped at the chance for preferred seating because I knew I wanted to be as close to the stage as possible. All I had to do was arrive early and place myself strategically at the front of the crowd, then I briskly walked across the length of the ballroom, heading for my ultimate destination, already revealed to you in the first paragraph. About the food, I couldn't eat the quiche--too much dairy--but I enjoyed the fruit, pastries, sausage and bacon, along with orange juice.

Click here for a trip to City Daily Photo, transporting you around the world every day.

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From the card beside my water glass at the table where I decided to sit--right in front of the stage--I know that the man on the saxophone is Renato Caranto, that the man on the Hammond B3 is Louis Pain. I wish I knew the drummer's name, but it's not on the card. I mean no disrespect, but my lack of information bothers me.

Still and all, I like the photo too much not to share it with you. Perhaps someone will see this post and provide us with the man's name. For all three men, their music spoke of their talent and their love of performing. We who attended enjoyed them as we stood in line for the buffet and ate and drank before the program began.

The sold out event had been advertised thusly--"Join us for a one-of-a-kind event in the Kridel Grand Ballroom, featuring amazing live gospel performances and a southern-style buffet brunch. This foot-stomping event will definitely end your weekend on the right note." I jumped at the chance for preferred seating because I knew I wanted to be as close to the stage as possible. All I had to do was arrive early and place myself strategically at the front of the crowd, then I briskly walked across the length of the ballroom, heading for my ultimate destination, already revealed to you in the first paragraph. About the food, I couldn't eat the quiche--too much dairy--but I enjoyed the fruit, pastries, sausage and bacon, along with orange juice.

Thursday, August 02, 2012

1961 Aston Martin DB4GT Zagato, Allure of the Automobile, Portland Art Museum's Photography Day, August 14, 2011

1961 Aston Martin DB4GT Zagato - I bought a special ticket which allowed entrance a couple of hours prior to the regular Sunday opening time. Hardly anyone present, just a few workers and a few photographers. Here is the all important agreement I signed about these particular images, which applies to the bottom two photos.

Under no circumstances may you download, upload, copy and paste any of these photos in this post. Thank you. They are not to be used for any purpose other than by me, and that purpose is to be posted on my blog, Portland Oregon Daily Photo. These are the conditions put forth by the Portland Museum of Art when I bought my Photography Day ticket. Thank you.


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You can see others taking in the elegance that is this Aston Martin. While I don't begrudge anyone the chance to stand and look as long as they would like, I did wish for fewer people now and then. That's why I bought the special ticket I mentioned at the top of the today's post.

Driver's side view. I read this on the information placard on the wall near the vehicle: It is believed that only two of these cars had hood scoops, and this is one of them. Of the nineteen examples built, just six were left-hand drive. Coachwork: Lightweight Superleggera aluminum alloy body by Carrozzeria Zagato. Only 19 examples were produced. Some cars had hoods with triple power bulges; others had a single scoop. Suspension: In front its equal-length wishbones with coil springs, tubular shock absorbers and an anti-roll bar.
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Passenger side view and more evidence in support of my desire to take photos of these cars with less people present. From the information placard: Engine type: 226-cid, 12-valve, DOHC 1-6. Horsepower: 314 bhp at 6,000 rpm. Transmission: 4-speed manual. Top speed: 160 mph. Wheelbase: 93 inches.
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Name on the trunk, along with the reflection of the ceiling light fixture. From the placard: This particular example was the Turin show car in 1961, "dressed up" with bumpers, a chrome strip along the side, chrome instead of polished aluminum around the windows and headlights, and chrome wheels. It is believed to be one of only two examples that had hood scoops. Of the nineteen examples built, just six were left-hand drive.
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Can you imagine walking through the museum's front door and seeing this beauty, right there in front of you? And you're one of only a handful of people there at that time? Wonderful, let me tell you.

I also read this on the information placard: Suspension: The rear suspension is a live axle with coil springs, lever arm shock absorbers and a transverse Watts linkage.

Tuesday, June 19, 2012

1954 Plymouth Explorer Sport Coupe, The Allure of the Automobile, Portland Art Museum's Photography Day, August 14, 2011

1954 Plymouth Explorer Sports Coupe - I bought a special ticket which allowed entrance a couple of hours prior to the regular Sunday opening time. Hardly anyone present, just a few workers and a few photographers. Here is the all important agreement I signed about these particular images.

Under no circumstances may you download, upload, copy and paste any of these photos in this post. Thank you. They are not to be used for any purpose other than by me, and that purpose is to be posted on my blog, Portland Oregon Daily Photo. These are the conditions put forth by the Portland Museum of Art when I bought my Photography Day ticket. Thank you.


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Across the front and along the passenger side.

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Side view of front passenger tire, turn signal, headlight, and the grill.

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Grill and headlights.

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From the trunk forward.

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A second view from the trunk forward.

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Passenger door to front end.

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Passenger door to back end.

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Close-up.

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Finally, two photos with a bit different exposure, making the color look a bit different, too.

DSC_0118_2 See what I mean about the color? I think all of the earlier photos are more true in portraying the vehicle's actual color.

Info found at Concept Carz: In the post-World War II era, the public were very enthusiastic about the so-called Concept Cars of 'Dream Cars.' Virgil M. Exner had been placed as head of Chrysler's Styling department and was responsible for improving Chrysler's rather stodgy late 1940's image. He turned to Carrozzeria Ghia in Turin, Italy, to produce a unique series of one-of-a-kind 'idea cars' on production Dodge, Chrysler and Plymouth chassis. Exner had sourced the work out to these Italian craftsman because they could build these one-of-a-kind cars more creatively and less expensively than any American company.

Exner designed the Chrysler K-310 Series, which was followed by three more Ghia-built Chrysler design studies: the C-200, the SS, and the D'Elegance, as well as the DeSoto Adventurer 1 coupe. Luigi Segre of Ghia was asked to produce a memorable quartet of cars for Dodge called the Firearrows. The Dodge Firearrow III was a precursor of the subsequent De Soto Adventurer II and Plymouth Explorer concept vehicles that followed.

The sleek, wide-mouthed Explorer was mounted on a 114-inch wheelbase Plymouth chassis and was just 54-inches tall. Powering the vehicle was a 230-cubic-inch Plymouth l-head six that offered a humble 110 horsepower. There was a semi-automatic transmission, twin exhausts that exited through the rear fenders, and wire wheels. The car was distinguished by elegant ivory-hued side reveals, vestigial fins, a metal green finish, a white leather interior with bucket seats and fitted luggage.

Along with giving the public a glimpse into future designs for the company, the Dodge Firearrows, DeSoto Adventurer and Plymouth Explorer significantly helped to rejuvenate the company's image. Chrysler's 'Forward Look' styling of 1955 - 1961 inspired other automakers to return to their drawing boards to revise their models which lacked Chrysler's fresh, Italian-inspired flair. The car debuted in the May 1954 Motor Trend. Despite its racy good looks, the Explorer was powered by the 110-horsepower, 230 cubic-inch, 6-cylinder engine coupled to a Hy-Drive transmission. The dream cars were the inspiration of Virgil Exner who was hired by Chrysler boss K.T. Keller to reinvigorate the Plymouth brand. Chrysler had discovered that there was considerable interest in 'dream car' design proposals, so much so that GM took its cars on tour, staging the elaborate Motoramas around the country. Throughout the 1950s, Chrysler displayed a string of dozens of cars penned by some of the leading styling houses in Europe.

Friday, November 04, 2011

#4, Blastolene Brothers--wildness on wheels--at Cars in the Park, Portland Art Museum, September 3, 2011

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A very big car with a powerful engine. Very big.

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A very big car with a powerful engine. You can see how tall it is, in comparison to the nearby people.

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This photo also gives you an idea just how tall this thing is!

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And this one gives you an idea just how long this thing is, even with part of it not in the shot!

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A close-up of the brakes on the very big car with the powerful engine.

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The view along the side of the very big car with the powerful engine.

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The front end of the very big car with the powerful engine. To me, the wheels look like they belong on an 18-wheeler.

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One more view of the very big car with the powerful engine. It was something to see, let me tell you!

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One more view of the back end of the very big car with the powerful engine. I really like the streamlined design of the very big car with the powerful engine.

Thursday, November 03, 2011

#3, Blastolene Brothers--wildness on wheels--at Cars in the Park, Portland Art Museum, September 3, 2011

I think this just might be the vehicle that I found on the Blastolene Brothers' Web site, listed as Michael's new 1942 Ranger v-12 airplane engine.

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Needle nose, this photo ought to be in the dictionary by the definition of needle nose. And one has to wonder, just how long does it take to make some sort of adjustment to raise the chassis high enough for the vehicle to the correct clearance for travel on the streets? I am assuming that something like that has to happen before anyone ought to even start the engine.

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A pair of bucket seats?

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Looks to me like those buckets are in a wash tub.

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I couldn't figure out why that blue cloth seems attached to the engine. And are those things with the yellow cables a distributors? Anyone? Anyone?

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The brakes and the back tires. And what's that big silver shape to the left? For some reason I don't totally understand, I think it's the differential. Y'all who know, please tell me I'm right. Or tell me I'm wrong. Please and thank you.

Wednesday, November 02, 2011

#2, Blastolene Brothers--wildness on wheels--at Cars in the Park, Portland Art Museum, September 3, 2011

I found this on the Blastolene Brothers' Web site. I think it is about this vehicle: Rocket II by Michael Leeds. Debut at 2009 Grand National Roaster Show where it won best Engineered. Features blown Hemi, Stainless Kulgul independent Rear end.

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Can you tell what this one is? I couldn't, at first, because there was just so much to notice.

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I walked up to the front for a look from a different angle. It's a motorcycle!

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The seat looks comfortable, but do you put your foot in those recesses that look sort of like ice cream scoops?

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This is a hoot!

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Wonder what that silver loop is? And the black cloth-covered box? Wonder if it's a parachute? You know, to help it slow down.

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Wings on the motorcycle!

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Does anyone know which engine this seems to be?

Tuesday, November 01, 2011

#1, Blastolene Brothers--wildness on wheels--at Cars in the Park, Portland Art Museum, September 3, 2011

I found this one online, identified as The Decoliner. Randy's Vision: Flash Gordon's Motorhome! This 26' polished aluminum beauty features a flying bridge, complete with driving station and room for 5 passengers on the roof.

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Oh, how I wish I could have seen the Blast-o-liner on the move! Not that I'm not happy to have seen this and several other Blastolene Brothers outlandishly wonderful vehicles. I couldn't resist using the Picnik special effect HDR-ish.

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Another view of the Blast-o-liner, as I took it, no special effects so that you can see how it really looked.

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Stairway to heaven? Yes, it is. If you're someone consumed with the desire to drive a vehicle from on high.

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These convex windows fit perfect/y, don't you think? The Picnik special effect here is Orton-ish.

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Looks like it ought to have wings to me.

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I'm not sure how these two mirrors help with a side view if you're driving from on top of the Blast-o-Liner. Maybe since you're so high up, you've got great sight lines for safe driving. Speaking of sight lines, that's me in the hat reflected in the top mirror!

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I know from looking at their Web site and the Works in Progress photos that there was a steering wheel originally on the lower level, where steering wheels usually are located. You can see from this photo that it is not there now, though.

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It's just too cute!

Sunday, October 16, 2011